Written by Chi Chi Thalken on October 25, 2010
If you’re like me, you know next to nothing about Milwaukee hip hop. Not that I’m unwilling to learn. It’s just that when I heard KHB was from Milwaukee, I was stumped to come up with another group from there. I’m sure stuff is happening, but little has made a national splash. However, KHB is changing that. The four-man crew of Dana Coppafeel, Clark Beez, DNA, and DJ1L are seeking to make a statement, as is evident from the title of the EP.
Written by Chi Chi Thalken on October 19, 2010
While we wait on his new solo album and the much anticipated debut of his band, Physical Forms, Busdriver hopes to hold his fans over with this free digital EP. It’s an interesting mix of new material, remixes Busdriver did of other artists, remixes that different musicians did of Busdriver, and songs by others that Busdriver guests on. So, most aspects of the artist known as Busdriver are on display here.
Written by Alyx Vesey on October 13, 2010
Los Angeles-based electronic artist Jennifer Lee records the ostensibly degendered handle TOKiMONSTA. She is associated with Flying Lotus’s Brainfeeder scene and has been active since 2006. As such, TOKiMONSTA complements the sound that has come to define the West Coast environment, with an emphasis placed on riding a steady groove over fetishizing the glitch as artists like Prefuse 73 did earlier in the last decade. TOKiMONSTA’s moniker itself is instructive. “Toki” is Korean for “bunny rabbit,” a term that reflects both her cultural heritage and suggests cuteness.
Written by Chi Chi Thalken on October 12, 2010
The Burnerz is a collaboration between emcee Zumbi from Bay Area group Zion I, and Houston-based producer The Are, who has worked with everyone from Keyshia Cole to Canibus. While you might expect a Houston producer to sound like UGK, The Are shows that he can lay down some laid back West Coast grooves with the best of them. The first couple of tracks do have a more aggressive Southern style to them, with a more straightforward beat and minimal synthesized instrumentation and ominous background vocals.
Written by Chi Chi Thalken on October 11, 2010
After listening to Shad name-drop Medeiros on his new album and reading that he is currently in the studio working on a new album, I’ve decided to add a “Better Late Than Never” review to this site. Mr. J. Medeiros got started with overlooked group The Procussions in the early 2000s. When the Colorado Springs-based outfit called disbanded in 2006, Medeiros kept recording as a solo artist. Now on his third release, he moves forward with hip hop that is both accessible and progressive.
Written by Chi Chi Thalken on October 6, 2010
Most of us were first introduced to Andreya Triana when Bonobo’s album Black Sands came out earlier this year. She was the featured vocalist on three tracks. It certainly caught my attention, and I was excited to learn that her solo debut would come out later the same year, with Bonobo producing. Well, the short wait is over, and it’s time to listen. While Black Sands has a dreamy sound that includes lots of instrumental works that needs a patient listener to wait for all the layers to build, Lost Where I Belong has a more immediate impact.
Written by Chi Chi Thalken on September 28, 2010
The third album from the Canadian rapper, Shad is set to cross over and become a major force stateside. His music is accessible, with most songs featuring killer soul samples reworked to a funky new life. What is going to put Shad in that upper echelon of emcees is his clever wordplay. He’s a smart guy who strikes a great balance between exploring his own emotions and life experiences and connecting them with the larger world.
Written by Chi Chi Thalken on September 21, 2010
Why haven’t I been listening to Bilal this entire time? I feel like I’ve been had. I realize this is due in part to Bilal falling prey to a dispute with Interscope that saw his sophomore album shelved indefinitely, so his solo career has been bit dormant for most of the last decade. Now that he’s freed from that burden and on independent label Plug Research, hopefully he can just go out there and make music and reach the appropriate audience.
Written by Chi Chi Thalken on September 20, 2010
Released as something to tide fans over until the next official album, this tour-only double EP contains twelve new tracks. The nice thing about this release is that they made the stakes so low with the presentation - it feels like every song you enjoy is a bonus. Atmosphere can get away with this because they’ve been around for a long time and have built up a devoted fan base, which they accomplished by constantly touring and churning out hip hop that’s interesting and challenging but still accessible.
Written by Alyx Vesey on September 8, 2010
The two most recent installments of Psalm One’s self-released Woman @ Work series confirm that these collections are all of a piece. At the moment, I feel I may have reviewed her first entry in haste. I wasn’t as aware of the ways in which evaluating it individually without fully processing the subsequent releases would turn an ongoing dialogue about working through childhood, self-image, interpersonal relationships, and professional aspirations into fragments.