Written by Chi Chi Thalken on November 15, 2010
Fatgums is a deejay, producer, and the founder of Beatrock Music, a young label out of Long Beach. He’s worked with artists like Bambu, Power Struggle, and Novelists. If you’re not familiar with any of this, don’t worry. This album works as a gateway to this scene and also holds up on its individual merits. If you hadn’t figured out by the title, these are instrumental versions of songs Fatgums produced over the years.
Written by Chi Chi Thalken on November 12, 2010
Before the dust had settled on the Burnerz album, Zumbi comes right back with his main project, Zion I. The collaboration between Zumbi and AmpLive has been going strong for over ten years, and Atomic Clock is their seventh album. At this point in their career, things could easily get stale or drift in a strange or ill-advised direction. Or, best-case scenario, their chemistry would be strong and they would push each other, expand their sound, and make a great, urgent album.
Written by Chi Chi Thalken on November 9, 2010
As one of the primary beat makers for Doomtree, Paper Tiger usually works behind the scenes and doesn’t necessarily get to shine the way Dessa or P.O.S. do. Following the release of an EP in 2007, his first full-length will hopefully get the attention he deserves. Made Like Us is an interesting collection of atmospheres. The album begins as something of a down tempo instrumental hip hop project, walking the line between RJD2’s Deadringer and something you might hear on Ninjatune.
Written by Chi Chi Thalken on November 8, 2010
For those who don’t know, Foreign Exchange is an effort between Little Brother emcee Phonte and Dutch producer Nicolay. They met over the Okayplayer message board and started collaborating online without meeting in person, thus the name of the group. When Foreign Exchange first began, it was more hip hop-oriented. It definitely pushed the envelope, but mostly featured Phonte rapping over some interesting and beautiful music. Now on their third album, the two are definitely more influenced by R&B and progressive rock.
Written by Chi Chi Thalken on November 3, 2010
Unfortunately, J-Live flew under a lot of people’s radars. This is in large part due to the shelving of his debut album and not really belonging to a crew or particular scene that blew up. But J-Live plugged away, proud to call himself a hip hop triple-threat: emcee, deejay, and producer. As he preps his fifth full-length album, J-Live releases this EP as a teaser. It’s a fulfilling six-song collection, with his own production mixed in with the likes of Locsmif and Nicolay.
Written by Chi Chi Thalken on October 29, 2010
So I need to preface this review with my biases. Lyrics Born’s first solo album, Later That Day, was one of my favorite albums of 2003. It was funky as hell and featured some smart, politically-minded lyrics. It wasn’t perfect, but it was really damn good. I saw him in concert three times in support of that album including a show with RJD2, where I picked up an LB hoodie, which I proceeded to wear for the next four years until it was literally falling apart.
Written by Chi Chi Thalken on October 27, 2010
First things first - this album sounds great. If you can listen to the opening track and not instinctively turn up your stereo, you might want to check your pulse. Of course, I would expect nothing less coming from someone who has already established themselves as one of the best working producers, who cut his teeth collaborating with J Dilla. I know that connection is both a blessing and a curse to him, but I think this album might be the last time we get hung up on it.
Written by Chi Chi Thalken on October 25, 2010
If you’re like me, you know next to nothing about Milwaukee hip hop. Not that I’m unwilling to learn. It’s just that when I heard KHB was from Milwaukee, I was stumped to come up with another group from there. I’m sure stuff is happening, but little has made a national splash. However, KHB is changing that. The four-man crew of Dana Coppafeel, Clark Beez, DNA, and DJ1L are seeking to make a statement, as is evident from the title of the EP.
Written by Chi Chi Thalken on October 19, 2010
While we wait on his new solo album and the much anticipated debut of his band, Physical Forms, Busdriver hopes to hold his fans over with this free digital EP. It’s an interesting mix of new material, remixes Busdriver did of other artists, remixes that different musicians did of Busdriver, and songs by others that Busdriver guests on. So, most aspects of the artist known as Busdriver are on display here.
Written by Alyx Vesey on October 13, 2010
Los Angeles-based electronic artist Jennifer Lee records the ostensibly degendered handle TOKiMONSTA. She is associated with Flying Lotus’s Brainfeeder scene and has been active since 2006. As such, TOKiMONSTA complements the sound that has come to define the West Coast environment, with an emphasis placed on riding a steady groove over fetishizing the glitch as artists like Prefuse 73 did earlier in the last decade. TOKiMONSTA’s moniker itself is instructive. “Toki” is Korean for “bunny rabbit,” a term that reflects both her cultural heritage and suggests cuteness.