2011 has been a good year for Sims. He’s already released album-of-the-year contender Bad Time Zoo, toured relentlessly, and got married. Just in case that wasn’t enough, he’s now giving fans this EP of bonus material he recorded with Lazerbeak.

It’s a short five-song collection, but he manages to cover a lot of ground quickly. There aren’t any stop-what-you’re-doing singles like on Bad Time Zoo, but there is no weak spot, and everything rewards upon repeat listens. The chemistry between Sims and Lazerbeak is second to none at this point. Lazerbeak is an absolutely brilliant producer who manages to be inventive and challenging, but remains accessible to large audiences. Each track brings something new to the table, from the way he challenges the melancholy tone of “The Lighthouse” with frantic conga work in the background, to the simple piano line filled out with aggressive syncopated drums and gospel choir samples to create the bold swagger of “Here I Stand,” to the soul/blues sax line on “The Line,” to the Hacienda dance party of “Jordan 5’s.” All of this is the perfect compliment to the lyrics and delivery of Sims. He is very adept at creating vivid pictures with his words. Sometimes it’s more of a storytelling style, other times it’s more abstract, with a group of short phrases playing off of each other to create a bigger image. The most touching moment on the EP comes on “The Line,” a very moving song that deals with depression in a very sensitive way. I hope it will help at least a few people out and encourage them to find help.

If you’ve talked to me this year, there’s a good chance you’ve heard me sing the praises of Sims. The best part though, is when I don’t say a word, but just put the music on and let someone else realize what I’ve already learned - Sims is an emcee of the highest quality, and he’s given us some of the most creative work you’ll come across this year.